George Sand
mmádu
ụdịekerenwanyị Dezie
mba o sịFrance Dezie
aha n'asụsụ obodoGeorge Sand Dezie
Aha ọmụmụAmantine Aurore Lucile Dupin Dezie
aha ezinụlọ dịDudevant Dezie
aha enyereAmantine, Aurore, Lucile Dezie
aha ezinụlọ yaDupin, de Francueil Dezie
aha ọmabaroness Dezie
aha pseudonymGeorge Sand Dezie
ụbọchị ọmụmụ ya1 Julaị 1804 Dezie
Ebe ọmụmụ6th arrondissement of Paris Dezie
Ụbọchị ọnwụ ya8 Jụn 1876 Dezie
Ebe ọ nwụrụNohant-Vic Dezie
ihe kpatara ọnwụbowel obstruction Dezie
Ebe oliliNohant-Vic Dezie
ŃnàMaurice Dupin de Francueil Dezie
ŃnéSophie Victoire Delaborde Dezie
Dị/nwunyeCasimir Dudevant Dezie
nwaMaurice Sand, Solange Dudevant-Sand Dezie
onye dị ịrịba amaHelmina von Chézy Dezie
Asụsụ obodoFrench language Dezie
asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye akaFrench language Dezie
Asụsụ ọ na-edeFrench language Dezie
Ebe obibiParis, House of George Sand Dezie
Ebe ọrụFrance Dezie
agbụrụ Dezie
okpukpere chi/echiche ụwaCatholicism Dezie
Archive naBibliothèque historique de la Ville de Paris, Bibliothèque nationale de France Dezie
IjeRomanticism Dezie
present in workChopin: Desire for Love Dezie
Nwere ọrụ na mkpokọtaMusée de la Vie romantique, National Museum in Warsaw, Geldersch Landschap en Kasteelen, Royal Collections of the Netherlands, J. Paul Getty Museum Dezie
has written forLe Figaro, Revue des Deux Mondes Dezie
ikike nwebiisinka dị ka onye okikecopyrights on works have expired, copyrights on works have expired Dezie
omenkà faịlụ naFrick Art Research Library Dezie

Amandine-Aurore-Lucile Dupin, baronne Dudevant(1 July 18048 June 1876), Onye ama ama n'okpuru pseudonym ya George Sand , bụ onye edemede France na onye ọsụ ụzọ nke nwanyị.

Ihe ndi o kwuru

dezie
 
Life resembles a novel more often than novels resemble life.
 
Art is a demonstration of which nature is the proof.
 
Immodest creature, you do not want a woman who will accept your faults, you want the one who pretends you are faultless – one who will caress the hand that strikes her and kiss the lips that lie to her.
 
Masterpieces are only lucky attempts.
 
Art is not a study of positive reality, it is the seeking for ideal truth.
 
Which of us has not some sorrow to dull, or some yoke to cast off?
 
Art for the sake of truth, for the sake of what is beautiful and good — that is the creed I seek.
 
He made a single instrument speak a language of infinity. He could often sum up, in ten lines that a child could play, poems of a boundless exaltation, dramas of unequalled power.
  • Enwere m ebumnuche, ọrụ, ka anyị kwuo okwu ahụ, agụụ. Ọrụ nke ide ihe na-eme ihe ike na nke fọrọ nke nta ka ọ ghara ibibi ya.
  • Akwụkwọ ozi Jules Boucoiran, (4 Maachị 1831), nke e bipụtara na Georges Lubin (ed.) Nkwekọrịta (Paris: Garnier Freres, 1964-95) vol. 1, p. 817-18; Frederick Niecks Frederick Chopin: Dịka nwoke na onye egwu (London: Novello, 1890) vol. 1, p.334
  • Ọ bụghị oge mbụ m hụrụ ka okwu ike nwere karịa echiche, ọkachasị na France.
    • Indiana, pt. 1, nk. 2 (1832); Sylvia Raphael (trans.) Indiana (Oxford: Oxford University Press, 2000) p. 23

Njiko mpuga

dezie
 
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