George Sand
mmádu ụdịekere nwanyị mba o sị France aha n'asụsụ obodo George Sand Aha ọmụmụ Amantine Aurore Lucile Dupin aha ezinụlọ dị Dudevant aha enyere Amantine , Aurore , Lucile aha ezinụlọ ya Dupin , de Francueil aha ọma baroness aha pseudonym George Sand ụbọchị ọmụmụ ya 1 Julaị 1804 Ebe ọmụmụ 6th arrondissement of Paris Ụbọchị ọnwụ ya 8 Jụn 1876 Ebe ọ nwụrụ Nohant-Vic ihe kpatara ọnwụ bowel obstruction Ebe olili Nohant-Vic Ńnà Maurice Dupin de Francueil Ńné Sophie Victoire Delaborde Dị/nwunye Casimir Dudevant nwa Maurice Sand , Solange Dudevant-Sand onye dị ịrịba ama Helmina von Chézy Asụsụ obodo French language asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye aka French language Asụsụ ọ na-ede French language Ebe obibi Paris , House of George Sand Ebe ọrụ France agbụrụ okpukpere chi/echiche ụwa Catholicism Archive na Bibliothèque historique de la Ville de Paris , Bibliothèque nationale de France Ije Romanticism present in work Chopin: Desire for Love Nwere ọrụ na mkpokọta Musée de la Vie romantique , National Museum in Warsaw , Geldersch Landschap en Kasteelen , Royal Collections of the Netherlands , J. Paul Getty Museum has written for Le Figaro , Revue des Deux Mondes ikike nwebiisinka dị ka onye okike copyrights on works have expired , copyrights on works have expired omenkà faịlụ na Frick Art Research Library
Amandine-Aurore-Lucile Dupin , baronne Dudevant (1 July 1804 – 8 June 1876 ), Onye ama ama n'okpuru pseudonym ya George Sand , bụ onye edemede France na onye ọsụ ụzọ nke nwanyị.
Life resembles a novel more often than novels resemble life.
Art is a demonstration of which nature is the proof.
Immodest creature, you do not want a woman who will accept your faults, you want the one who pretends you are faultless – one who will caress the hand that strikes her and kiss the lips that lie to her.
Masterpieces are only lucky attempts.
Art is not a study of positive reality, it is the seeking for ideal truth.
Which of us has not some sorrow to dull, or some yoke to cast off?
Art for the sake of truth, for the sake of what is beautiful and good — that is the creed I seek.
He made a single instrument speak a language of infinity. He could often sum up, in ten lines that a child could play, poems of a boundless exaltation, dramas of unequalled power.
Enwere m ebumnuche, ọrụ, ka anyị kwuo okwu ahụ, agụụ. Ọrụ nke ide ihe na-eme ihe ike na nke fọrọ nke nta ka ọ ghara ibibi ya.
Akwụkwọ ozi Jules Boucoiran, (4 Maachị 1831), nke e bipụtara na Georges Lubin (ed.) Nkwekọrịta (Paris: Garnier Freres, 1964-95) vol. 1, p. 817-18; Frederick Niecks Frederick Chopin: Dịka nwoke na onye egwu (London: Novello, 1890) vol. 1, p.334
Ọ bụghị oge mbụ m hụrụ ka okwu ike nwere karịa echiche, ọkachasị na France.
Indiana , pt. 1, nk. 2 (1832); Sylvia Raphael (trans.) Indiana (Oxford: Oxford University Press, 2000) p. 23
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