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Faịlụ:LDBALL1950s.jpg

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Mmẹkụwátá

Nkówá
English: Lucille Ball in a 1955 film still, for I Love Lucy episode "Face to Face", aired on November 14, 1955.
Ǹgụ́ụ̀bọ̀chị̀ Taken circa 1955. Posted on Flickr 5/9/2009.
Mkpọlọ́gwụ̀ Flickr and Doctor Macro
Odé ákwụ́kwọ́ CBS Television

Nkwényé

Public domain
This work is in the public domain because it was published in the United States between 1929 and 1963, and although there may or may not have been a copyright notice, the copyright was not renewed. For further explanation, see Commons:Hirtle chart and the copyright renewal logs.
Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (70 years p.m.a.), Mainland China (50 years p.m.a., not Hong Kong or Macao), Germany (70 years p.m.a.), Mexico (100 years p.m.a.), Switzerland (70 years p.m.a.), and other countries with individual treaties.

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Additional source information:

English: This is a publicity still taken and publicly distributed to promote a film actor.
  • As stated by film production expert Eve Light Honathaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.):
    "Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
  • Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes:
    "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them."
  • Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes:
    "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
  • Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that:
    "[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."

Nkowapụta

Tinye nkọwa otu ahịrị ihe faịlụ a na-anochi anya ya.
Lucille Ball.

Ihe ndị egosiri na faịlụ a

depicts Bekee

Lucille Ball

MIME ụdị

image/jpeg

Ịta nke usòrò

Bìri èhì/ogè k'ị hụ òtù ụ̀fa dị̀ m̀gbè ahụ̀.

Èhì/OgèMbọ-akaÓgólógó na asaáÒjìèmeNkwute
dị ùgbu â14:35, 30 Septemba 2021NvóÁká màkà otù ȯ dị nà 14:35, 30 Septemba 20212,604 × 4,168 (630 KB)LemonreaderCrop
14:32, 30 Septemba 2021NvóÁká màkà otù ȯ dị nà 14:32, 30 Septemba 20213,830 × 4,872 (1.1 MB)LemonreaderHigher resolution
09:44, 10 Eprel 2020NvóÁká màkà otù ȯ dị nà 09:44, 10 Eprel 2020916 × 1,320 (883 KB)LemonreaderCrop
09:43, 10 Eprel 2020NvóÁká màkà otù ȯ dị nà 09:43, 10 Eprel 20201,300 × 1,653 (797 KB)LemonreaderClearer version
05:41, 3 Jụn 2018NvóÁká màkà otù ȯ dị nà 05:41, 3 Jụn 2018906 × 1,232 (225 KB)ClarawolfeUser created page with UploadWizard

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